Thursday, July 21, 2011

Sonnet

Jose and I alone have never found
the answers sought, have barely glanced beyond
these blinders, equine, broad; we often beg
and query who we even are, and why.

No existentialism: it's just that I've
just noticed this refrigerator hum.
Inaccurate ear paints a teaspoon of sugar,
its simple pallete synaesthetic as metaphor.

Picture cane-shaded fingers forming
halls when locked with mine; human home
where wasp laid to rest. Killer bees flown,
I'd imagine gentle bears could gather
sufficient sweets to honey-spackle memories
that resonate like Quervo crystals, freezing.

Saturday, July 9, 2011

My Final Poem



will not be written,

read, or ever spoken.

No anthology

will ever search for

proof of authorship,

or beg my mother

to release the rights,

or find some lost draft.

My final poem,

like all of your own,

will be sickly sweet,

and wet, then dusty

as marrow hardens.

It will be boring

unless uncovered

by some future men,

put up on display:

l'homme ordinare, morts.

In either event,

My final poem

will be shattered down

to its basic parts,

its few elements

when it is eaten

with Earth, by the sun.

My first real poem

Of course it is about you,

asleep, indulged and bat-blind.

No ancient runes, no tome of some


vital commandment, no record of achievement,

my first real poem is metonymic for every subsequent poem,

and silver ore; it is lumpy rock.


My first poem's greatest value

its its liability: of course; it is about you.

I am refining it, currently, hewing chunks of truth


dredged them up from within mind. One day

I will smelt them all together, all of my real poems,

and I will wake you and show you yourself.

Matinee

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world.

-W.B. Yeats


Loosen the ties where synapse connects.

Like mornings that try to hide jewels among dew,

Know the truths the world secrets and the lies it reflects.


What you see are results of special effects.

Dribble of acid might eat through the glue

and loosen it. The ties where synapse connects


will be broadcast in IMAX at the old multiplex.

Attend if you wish, but beware: if you do,

you’ll learn the truths the world secrets and the lies it reflects.


Dreamers wax poetic, mathematicians perplex;

we’re given but simplest machines: poem and screw.

These loosen the ties where synapse connects.


Watch the spectre ballet; here looms death like a hex.

I twiddle down seconds to our first rendezvous

to discuss the world’s secrets and the lies it reflects.


Come see foetid corpse, catch the flies it collects.

Widening, widening, the pattern that falcon flew

has loosened the ties where synapse connects,

revealed the truths the world secrets and the lies it reflects.

Sestina for my Mother

Mama always told me that if I wanted to see change

in this world I'd have to make it, either with Howitzer

or love song, or a “To Whom IT May Concern” mailed

to whomever it might. Sunday nights she would braid

her hair in the kitchen, hot comb on stove, cookie jar

bassist walking blues while I kept time with a tapping heel.


I frolicked barefoot outside so often that my heels

grew to be at least an inch thick; season's change

forced me inside so my protection grew thin. Cookie jars

fall from time to time, but this one, it seemed, a howitzer

had shelled; the shards in my sole were so fine, braided

gauze so tightly bound, prints so red on forgotten mail.


Afternoons, home from school, I would always check the mail

hoping for packages I never ordered. After surgery, as she healed

I would part her hair, learning on the fly to plait and braid,

and apply oil to her scalp, or comb it, generally in exchange

for a long hug or two. She complimented it, noting how it sure

was a nice Mother's Day gift in tandem with the new cookie jar.


It's a ring of black faces, high atop the cabinets, 37 cookie jars.

The first was a gift, the rest marked fragile, arrived by mail.

She takes care to avoid duplicates, but accepts banal gifts anyhow. It's her

passion, or one of them; she paints rooms, shapes landscapes, heals

her babies when their ills wear them down, speeds down interchanges,

and loves, and loves. When I was eleven she taught herself to braid


because my hair required it, and when Jordan followed suit, she braided

his too. She has never had much taste for cookies, despite all the cookie jars,

but never hesitated to stock up on Oreos or whatever our wildly changing

appetites demanded. We had a dog that never learned to pee outside or heel,

but soothed his butt-itches on the carpet and sprinted to gnaw at a piece of mail

we had the misfortune of dropping; Mama looked at him with Howitzer


eyes ready to detonate every time he invaded. She explained how it's her

space he destroys when he shits in the closet or eats the armchair-fringe braid.

I once took her to get a pedicure, hoping Ms Kim would trim stress as she scraped heel:

stress accumulated from years of being the only woman in a house of male

patten blindness so advanced that all we can think to get her is a cookie jar

at holidays; these are usually duplicates. One of these days I'll make a change,


be old enough to heel myself with love and wisdom like a howitzer,

change from idiocy to appreciation, generosity, subtlety somehow braided

together, fragile as a cookie jar, but impenetrable, clad in chain mail.

Idea of Disorder at any Lightning Strike


In the green water, clear and warm,

Susanna lay.

She searched

the touch of springs,

and found

concealed imaginings.

She sighed,

for so much melody.

The lightning struck a dozen feet above

my craning neck, my thumping bass, and wide,

now blinded eyes, and rattled brain and frame alike.

Imbalance rectified so violently

by you or I would earn us time in Bellevue;

the universe, though, works in terms (insane)

much grander than our frightened mortal vocab.

It's this, I'll bet, that so entrances me.

I try to trace the golden arc of light

before the black field swallows it like swords,

and fantasize that when I find the source,

electric, of this art that strikes me so,

it will explain this tingle, touch: the urge

to rub this tongue against it, though I know I fail.